Numer 15 (1/2021)
Redaktorzy: Marek Paryż, Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura
Spis treści
Strony
Pobierz
Paweł Stachura
Materiality, Electricity and the Soul in Edgar Fawcett’s Scientific Romances
DOI: 10.7311/PJAS.15/1/2021.01
5 – 16
PDF

Słowa kluczowe

science fiction |Edgar Fawcett |Gilded Age |materiality

Streszczenie

The article discusses two novels by Edgar Fawcett, a prolific poet and novelist active in the 1890s, as examples of materialist representation of psychology. Fawcett’s literary materialism was not only a thematic reference to his contemporary science, but a certain convention of characterization, which emphasized mystery and drastic imagery as means of character development. Numerous other examples of this tendency in the 1890s are described as well. The theoretical background is derived from the recent materialist turn in literary criticism.


INFORMACJE O AUTORZE

Uniwersytet im. Adama Mickiewicza w Poznaniu

Arnon Gutfeld
U.S. Foreign Policy and the Armenian Genocide: The Clash between Idealism and Pragmatism
DOI: 10.7311/PJAS.15/1/2021.02
17 – 40
PDF

Słowa kluczowe

Turkey |U.S. foreign policy |Armenian genocide |Denial of Genocide |Woodrow Wilson |diplomacy |Armenia

Streszczenie

The article focuses on the conduct of American foreign policy on the subject of the Armenian genocide. This conduct serves as an excellent study of a major theme in the history of the formulation of American foreign policy – the clash between moral values and pragmatic economic and strategic interests and constraints and between the declared policy of President Wilson and the real policy of his and subsequent American administration on the Armenian genocide issue. A special emphasis was placed on “denial” as the final stage of a genocide.


INFORMACJE O AUTORZE

Tel Aviv University, Izrael
Klaudia Borkiewicz
Text as a Dialogue: The Role of Paratexts and Intertexts in Hemingway’s Death in the Afternoon
DOI: 10.7311/PJAS.15/1/2021.03
41 – 56
PDF

Słowa kluczowe

intertextuality |Ernest Hemingway |Death in the Afternoon |paratext |dialogism

Streszczenie

The main aim of this paper is to demonstrate that the vibrancy and multidimensionality of Hemingway’s work lies in its dialogic nature. In the light of the above-mentioned, referring both to Kristeva’s notion of intertextuality and Genette’s concept of paratext, the paper constitutes an attempt to bring into focus a dynamic network of interactions, which manifest themselves at the level of the text’s structure and meaning. Correspondingly, an outgoing dialogue between Spanish and American culture, between the factual and the fictional, between the articulated and the unsaid, should be viewed as breeding ground for the reader’s role in the negotiation and co-creation of meaning. As a result Death in the Afternoon becomes something more than just a manual on how to look at the bull fight. With its internal diversification, the text becomes a chance of meeting, a carnivalistic space opened for an ongoing dialogue and interaction between the elements both internal and external to the text, inviting the reader to immerse fully into a constant and always relevant conversation between writing styles, forms of artistic expression and culture.


INFORMACJE O AUTORZE

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tadeusz Pióro
“Where Children Play Among the Ruins of the Language”: A Nest of Ninnies and the Literary Legacies of New York Dada
DOI: 10.7311/PJAS.15/1/2021.04
57 – 67
PDF

Słowa kluczowe

Marcel Duchamp |Dadaism |New York Dada |ready mades |found objects |John Ashbery |James Schuyler |Ronald Firbank |camp

Streszczenie

Narration and dialogues in A Nest of Ninnies rely largely on linguistic equivalents of what are known as “found objects,” or “ready mades,” in the visual arts. This endows Ashbery’s and Schuyler’s novel with a sense of humor much like the one developed by the New York Dadaists in the years 1916-1920. Because of the high incidence of camp humor in the novel, affinities between it, as well as the camp aesthetic more generally, and the New York version of Dada, may be seen. Yet the principal claim of the article is that this novel is part of the literary legacy of New York Dada, a movement significantly different from the original Dada of Zurich.


INFORMACJE O AUTORZE

Uniwersytet Warszawski

Kacper Bartczak
The Paradigm of the Void: Louise Glück’s Post-Confessional Deadlock
DOI: 10.7311/PJAS.15/1/2021.05
69 – 87
PDF

Słowa kluczowe

John Ashbery |Louise Glück |post-confessional lyric |psychoanalysis and poetry |post-secular studies |Agata Bielik-Robson |psycho-theology |Gnosticism and poetry

Streszczenie

Awarded the Nobel Prize in literature, Louise Glück emerges as one of the major and most important American poets of the late 20th and early 21st century. What does this centrality tell us about the trajectory that the American poetry has traced since modernism? I attempt to offer a critical evaluation of Glück’s post-confessional stylistic, developed between the debut Firstborn (1968) and Averno (2006), by setting it in contexts that are historical and, later in the paper, psycho-theological. First, I treat her formula as a double response – to the modernist legacy of T. S. Eliot and to the challenges of postmodernity. Faithful to Eliot’s urge to transcend the biographical by connecting it with the transcendental, Glück resists the skeptical thesis of the demise of grand narratives, and writes in defiance of the postmodernist poetics of such poets as John Ashbery. Not undermining the biographical foundation of the lyric – the way Ashbery has done in his linguistic excess – she strives to make it paradigmatic. However, in this heroic search for a paradigm, Glück proposes a deeply ambiguous modification of Eliot that I characterize in psycho-theological terms. Following Agata Bielik-Robson’s research, I characterize Glück’s metaphysics as a form of Thanatic Lacanian Gnosticism. At this level we confront the costs of Glück’s post-confessionalism: a serious impairment of all those aspects of the self that make it an embodied and gendered human being.


INFORMACJE O AUTORZE

Uniwersytet Łódzki

Piotr Płomiński
Negotiating Subjectivity within Simulation: The Posthuman in Philip K. Dick’s Ubik
DOI: 10.7311/PJAS.15/1/2021.06
89 – 104
PDF

Słowa kluczowe

Philip K. Dick |Ubik |posthumanism |hyperreality |subjectivity

Streszczenie

The aim of this paper is to offer a reading of P. K. Dick’s Ubik which investigates the possibility for a representation of posthuman subjectivity in the novel. The forming of a sustainable posthuman subjectivity occurs in the novel against the backdrop of what might be described in Baudrillardian terms as hyperreality. The use of Baudrillard?s idea of hyperreality may not only guide the analysis towards uncovering the circumstances facilitating the emergence of posthuman subjects in Ubik, but also reveal an illustration of the dialogue between the postmodern and the posthuman positions. Ultimately, I contend that Dick’s novel depicts the emergence of posthuman modes of subjectivity in a process which is facilitated by the context of hyperreality. This unexpected coincidence occurs through a positive, constructive interaction with the environment, bestowing, through symbolic exchange, sustainability to the inhabitants of unstable reality.


INFORMACJE O AUTORZE

Uniwersytet Łódzki

Klara Szmańko
“At the Western Palace”: The Dehumanization of Whiteness, Americanness, and Chinese-Americanness in Maxine Hong Kingston’s The Woman Warrior
DOI: 10.7311/PJAS.15/1/2021.07
105 – 116
PDF

Słowa kluczowe

narration |Maxine Hong Kingston |The Woman Warrior |white people |point of view |ghosts |whiteness |white Americans |Chinese Americans |Chinese immigrants |barbarians |savages

Streszczenie

The dehumanization of whiteness in Maxine Hong Kingston’s The Woman Warrior (1976) inheres in the overarching ghosthood metaphor. While first generation Chinese American immigrants in The Woman Warrior attribute the power of transforming people into ghosts to the United States of America as a country, the questioning of a person’s humanity by calling them a “ghost” is not reserved for white people alone. Chinese American immigrants also run the risk of losing their humanity and becoming ghosts if they renounce their relatives and their heritage. The husband of the first-person narrator’s Chinese aunt, Moon Orchid, is an example of a Chinese American man, who turns into a ghost on account of swapping his Chinese wife for a much younger American one. The clinic in which Moon Orchid’s husband works, a chrome and glass Los Angeles skyscraper, becomes a vehicle for the metaphoric representation of the United States as the Western Palace – also the title of the fourth of the five chapters of The Woman Warrior, exemplifying narrative techniques employed by Kingston in order to render the above mentioned dehumanization.


INFORMACJE O AUTORZE

Uniwersytet Opolski

Susan Savage Lee
“They Look Like They’re Trying to Pull Up Nails with Their Heels”: Ricardo Güiraldes’s Response to Cultural Appropriation in Don Segundo Sombra
DOI: 10.7311/PJAS.15/1/2021.08
117 – 129
PDF

Słowa kluczowe

Ricardo Güiraldes |Don Segundo Sombra |gaucho |argentinidad |cultural appropriation

Streszczenie

Cultural appropriation has often been linked to American treatment of indigenous cultures. In Playing Indian, for example, Philip J. Deloria investigates how images of Indianness, however inauthentic, stereotypical, or completely ethnocentric, work to help white Americans come to terms with their history of conquest and possession. While the term cultural appropriation has been linked to the conflict between dominant and indigenous cultures as Deloria suggests, it is used far less frequently with respect to American and Latin American cultural identities. Yet, the preponderance of movies and literary works in which Americans follow the same rubric – use Latin American culture to define American cultural identity – evoke the same sense of loss on the part of Latin Americans, in this case, Argentines. For over a century, for example, the gaucho has been examined, evaluated, and reevaluated by Argentines within gauchesque literature to make sense of modernization, notions of civilization versus barbarism, and what creates argentinidad, or what it means to be Argentine. Ricardo Güiraldes sought to respond to the cultural appropriation and misrepresentation of the gaucho, specifically that gaucho culture could be taken up by anyone and used for any purpose, no matter how benign; and that gauchos were a part of the past, eschewing modernization in forms such as industrial ranching and technology when, in fact, they embraced it. In Don Segundo Sombra, Güiraldes addresses these issues. Rather than permit cultural appropriation and ethnocentrism to remain unremarked upon, Güiraldes demonstrates that gaucho culture has remarkable qualities that cannot be imitated by novices, both foreign and native. He then examines gaucho culture, particularly the link between frontier life and economic displacement, in order to champion the gaucho and argentinidad as the models for Argentines to follow.


INFORMACJE O AUTORZE

Jefferson Community and Technical College, USA

Ada Wawer
Zig Jackson: Postindian Warrior of Fine Art
DOI: 10.7311/PJAS.15/1/2021.09
131 – 142
PDF

Słowa kluczowe

photography |Indian |Postindian |Native Americans

Streszczenie

The article is a discussion of contemporary photographic works featuring Native Americans. The argument is framed through references to the conventions of representations of Native people in photography, on the one hand, and the critical discourse of Gerald Vizenor and the notions of the “Indian” and “Postindian,” on the other. The article focuses on the artist, Zig Jackson, who is described as a Postindian “warrior of survivance” and whose practice is analyzed as an attempt at the deconstruction of the popular image of the “Indian.”


INFORMACJE O AUTORZE

Uniwersytet Warszawski

Tomasz Jacheć
Death of a Celebrity: Kobe Bryant and Post-Millennial Sensitivities
DOI: 10.7311/PJAS.15/1/2021.10
143 – 160
PDF

Słowa kluczowe

media |Kobe Bryant |post-Millennial |secular canonization |celebrityhood

Streszczenie

On Sunday, January 26, 2020, Kobe Bryant – a retired star of the Los Angeles Lakers basketball franchise – died suddenly and tragically in a helicopter crash. Following his death, Bryant was instantaneously mourned and celebrated as a basketball legend, an inspiration, a role model, a family man, and a Renaissance man; he was secularly and medially canonized. This study analyzes the secular canonization process and aims at extrapolating the post-Millennial element of the narratives of the tributes to Bryant. The article looks into how the reaction to the death of Bryant, who, although a Millennial himself, seemed to embody the post-Millennial image of post-Millennials (Generation Z) i.e., competitive, spontaneous, adventuresome, and curious, reflects the self-image of post-Millennials i.e., loyal, compassionate, thoughtful, open-minded, responsible, and determined.


INFORMACJE O AUTORZE

Uniwersytet Warmińsko-Mazurski w Olsztynie
Michał Choiński
Coming Back Home to Oppressive Mississippi: A Figurative Study of Jesmyn Ward’s Men We Reaped
DOI: 10.7311/PJAS.15/1/2021.11
161 – 177
PDF

Słowa kluczowe

Jesmyn Ward |Southern literature |Mississippi |figurative analysis |Men We Reaped

Streszczenie

The aim of the paper is to discuss the figurative aspects of Jesmyn Ward’s The Men We Reaped (2013). In her memoir, Ward demonstrates the connections between the systemic racism in the US South and the tragic stories of five African-American men who were close to her, and who died between 2000-2004. The tragic loss of these lives is presented through a number of figurative images which present the region through the metaphors of predatory animals, physical burdens and uncanny doubling. Also, the article reflects on how Ward coped with the trauma of loss through her writings, and how, in numerous interviews, she justified her decision to return home to Mississippi and to settle there, in spite of the systemic racism and the trauma of loss.


INFORMACJE O AUTORZE

Uniwersytet Jagielloński w Krakowie

Anna Pochmara
Book Review: Richard Bodek and Joseph Kelly (editors), Maroons and the Marooned: Runaways and Castaways in the Americas
179 – 180
PDF

INFORMACJE O AUTORZE

Uniwersytet Warszawski
Lucyna Aleksandrowicz-Pędich
Book Review: Halina Parafianowicz, Great War. Good War. Historia i pamięć Amerykanów [Great War. Good War. History and Memory of Americans]
181 – 183
PDF

INFORMACJE O AUTORZE

SWPS Uniwersytet Humanistycznospołeczny w Warszawie
Matthew Teutsch
Book Review: Michał Choiński, Southern Hyperboles: Metafigurative Strategies of Narration
183 – 185
PDF

INFORMACJE O AUTORZE

Piedmont University, USA
Elżbieta Rokosz
Book Review: Mick Gidley, The Grass Shall Grow: Helen Post Photographs the Native American West
185 – 188
PDF

INFORMACJE O AUTORZE

Uniwersytet Rzeszowski
Anna Warso
Book Review: Kacper Bartczak, Materia i autokreacja. Dociekania w poetyce wielkościowej [Matter and Self-Creation: Investigations in the Poetics of Plenitude]
188 – 190
PDF

INFORMACJE O AUTORZE

SWPS Uniwersytet Humanistycznospołeczny w Warszawie
Paulina Ambroży
Book Review: Małgorzata Myk, Upping the Ante of the Real: Speculative Poetics of Leslie Scalapino
190 – 196
PDF

INFORMACJE O AUTORZE

Uniwersytet im. Adama Mickiewicza w Poznaniu
Tomasz Jacheć
Book Review: Łukasz Muniowski, Three-Pointer! A 40-Year NBA History
196 – 201
PDF

INFORMACJE O AUTORZE

Uniwersytet Warmińsko-Mazurski w Olsztynie
Elham Shayegh
Book Review: Behnam M. Fomeshi, The Persian Whitman: Beyond a Literary Reception
202 – 203
PDF

INFORMACJE O AUTORZE

American University of Armenia
Pobierz cały numer
1 – 209
PDF
Polish Association
Institute of English Studies
ISSN 1733-9154
for American Studies
University of Warsaw
e-ISSN 2544-8781