March into the Unknown: Violence and Faith in The Backlands

(Counter)Monuments and (Anti)Memory in the City. An Aesthetic and Socio-Theoretical Approach

The Weeping Woman in the Graphic Memoir: A Derridean Inquiry into the Traces/Trait(s) of “Self”

Opowiadanie Saita Faika Psst, psst!... Próba interpretacji

Futurism and Witkiewicz: Variety, Separation and Coherence in a Theatre of Pure Form

Autor, dzieło i czytelnik w świetle potrójnej mimesis Paula Ricoeura

The Last Samurai. Transcultural Motifs in Jim Jarmusch’s Ghost Dog: The Way of the Samurai

The Work of Art in the Times of Late Modernity by Gianni Vattimo

The Image of Turkey in the Public Discourse of Interwar Yugoslavia During the Reign of King Aleksandar Karađorđević (1921–1934) According to the Newspaper “Politika”

The Memory of Architecture, the Architecture of Contentious Memory. Post-Ottoman Edifices of Worship and the Contemporary Spaces of Bulgarian Cities—the Case of Dzhumaya Mosque and the Tomb of Bali Efendi

Placing Time, Timing Space. Memory as Border and Line of (Hi)Stories in Richard McGuire’s Graphic Narrative Here

The Canvas and the Maze: Deconstructing Wall and Frontier in Contemporary American Science Fiction

Hugo Pratt and Milo Manara’s Indian Summer: An Italian “Source” for The Scarlet Letter

American Studies as Italian Theory

Re-signifying “Asia” in the Transnational Turn of Asian/American Studies