Po co urbanistyce transparentność dźwięku? Uwagi na marginesie polskiej ekspozycji na 13. Międzynarodowej Wystawie Architektury w Wenecji

Hermeneutics and Poetics: Gadamer on the Poetic Word

Przedmioty dźwiękowe i produkty dźwiękowe: standardy nowej kultury słuchania w pierwszej połowie XX wieku

Vibrations of Worldly Matter. ASMR as Contemporary Musique Concrète

“Who Was Ever Only Themselves?”—Precarity, Vulnerability, and Interbeing in Forrest Gander’s Be With

Measuring the far-right in Europe: comparative analysis of the xenophobic and anti-immigrant sentiment in Germany, Poland and Russia

Małgorzata Przanowska, Listening and acuological education

An Opening to Polyphony through Listening

The Ethics of Deep Listening: A Practice for Environmental Awareness

Points of Listening: Reflections on the Participatory and Polyphonic Potential of Communal Sonic Practices

Listening to the Unsaid: Giorgio Agamben and the Politics of the Human Voice

Another Voice: Towards an Aesthetics of the Voice in Cinema

The Polyphonicity of Artistic Practice and Interpretation as a Tale about It: The Art of Piotr Jargusz in the Context of the Thought of Władysław Stróżewski and Roman Ingarden

The Art of Fugue by Johann Sebastian Bach as an artistic expression of the juncture of beyng in Martin Heidegger’s philosophy

The Autonomy of Expression and the Becoming Musical of Classicism, Romanticism, and Modernism

Timbre, Identity, Difference: Witnessing Polyphony in Darkness