Powrót do źródeł, czyli co słychać w sztuce najnowszej. Recenzja wystaw połączonych w Galerii Saatchi w Londynie: Pangaea: New Art From Africa and Latin America, Abstract America Today

Visões De Além-Mar: A compreensão das identidades culturais latino-american e brasileira pela literatura e pelo teatro

La novela histórica hispanoamericana  y la reescritura de la historia: Navegantes, historia y escrituras en Vigilia del Almirante de Augusto Roa Bastos

‘I wind my veil about this ancient stone’: Yeats’s Cuchulain and Modernity

Of Indians and Modernity in Gloria Anzaldúa’s Borderlands/La frontera: The New Mestiza

Dracula as Inter-American Film Icon: Universal Pictures and Cinematográfica ABSA

The brickwork, walls and ceilings of Havana: Representations of space in Pedro Juan Gutiérrez’s Novel “Nothing to Do”

Przyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej

Central American Rivers as Sites of Colonial Contestation

No, I’m not from Athens or By the paths I have walked

“They Look Like They’re Trying to Pull Up Nails with Their Heels”: Ricardo Güiraldes’s Response to Cultural Appropriation in Don Segundo Sombra

Snapshots: On the Value of Photo/Sensitivity

Latin America in Focus

The Narratives of Topos: Eva Leitolf’s Deutsche Bilder – eine Spurensuche (1992–2008) and Postcards from Europe (since 2006)

Explorations on the Event of Photography: Dasein, Dwelling, and Skillful Coping in a Cuban Context

Of Cannibals and Witches: Monstrosity and Capitalism at the Onset of Colonial Visual Culture