Preface

To Be Harmonious with the Heaven, the Others and the Self: Late-Ming Christian Literati Li Jiugong’s Meditation and His Comparative Scriptural Interpretation

On Poetic Discourses and Ways of Expression of ‘Empty’ and ‘Silence’ Categories in the Chinese Lyric Poetry of Six Dynasties (Liu Сhao, III–VI A.D.) and Tang (VII–X) Ep

The Interpenetration of Art and Philosophy in East Asian Poetry: The Metaphysical Threat to the Platonic Hierarchy

Spontaneous Expression and Spontaneous Improvisation: What Contemporary Improvising Artists Can Learn from Chinese Artists-Philosophers

The Great Body Has No Shape, the Great Art Is Embodied. Conception of Body in Zhang Huan’s Performance Art

The Hierarchy of the Transcendentals According to Advaita Vedānta

Notes Towards Defining ‘Theory’ (Śāstra) in Sanskrit; Systematic Classification Presented in Rājaśekhara’s Kāvyamīmāṃsā

The Image of the World in the Yijing 易经 – an Attempt to Identify the Intellectual Context Proper to Chinese Philosophy

The Tension Between Illusion and Reality in Zhuangzi’s ‘Dream of the Butterfly.’ Philosophical Analysis of Western Reception

The Virtue Reality of Humanistic Buddhism by Ven. Yinshun

Body – Tradition – Expression. Remarks on Japanese Culture

Chick Lit in India: Possibilities for a Feminine Aesthetic in Popular Fiction

Money Hanging in my Closet? Various Conceptualisations of Money in English

Sztuka jako doświadczenie językowe w fenomenologiczno-hermeneutycznym ujęciu Maurice’a Merleau-Ponty’ego

„Vers à l’austère”. Sztuka peryferyjna a rytm i forma w malarstwie formistów polskich